Arriving in Calcutta
A family outside their yurt in inner Mongolia, from Chinese families’ worldly goods in Huang Qingjun’s pictures
As it was, Claire and I didn’t get sick. We took Chinese medicine made from the roots of an Arctic shrub for the duration of our journey along the Sichuan-Tibet Highway and at elevations of 4,000 metres and above we felt short of breath but otherwise well. The roads were dirt tracks for long stretches, and where they were being worked on there were long delays and detours and billowing dust. In places they were so narrow that looking out from my window in a claustrophobic miànbāochē I saw nothing but ravines at the bottom of yawning, hundred-metre-long drops, but Tibetan-owned guest houses and restaurants serving Sichuan’s málà cuisine made it easy to forget my aches and apprehensions at the end of each day. We ate lunch with nomads in the hills around Shangri-La and drank beer with migrant workers in Xiangcheng, where the government was putting down a strike. We were disappointed by dirty hotsprings and tourists flocking like vultures to sky burials in Litang, and it wasn’t until we made our way on foot to a monastery near Tagong that we felt like our journey was in some way complete. Its gold roof glinted far in the distance at the foot of a single, snow-capped peak and to reach it we’d passed carefully through an icy river and herds of temperamental yaks. It was in making my way to the monastery that I prepared myself to arrive for a few moments at Shangri-La, which in the words of the Dalai Lama “is not a physical place that we can actually find,” but exists only in our minds.
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Old World Wandering is an experiment. It is a literary travelogue reinvented for the internet. Over the past year, we have travelled across Southeast Asia and the Indian Subcontinent, looking for connections: connections between past and present, between communities, and – most of all – between places. We believe that travel writing is about journeys, not destinations, about people, not a list of sites, and – at its heart – about the connections that bind us all together.
When In Xanadu was published at the end of the 80s, travel writing tended to highlight the narrator: his adventures were the subject; the people he met were often reduced to objects in the background. I have tried to invert this, and keep the narrator in the shadows, so bringing the lives of the people I have met to the fore and placing their stories centre stage.
Above all, I had to consider whether travel writing was still a form that could adapt to this very changed world. With the book finished, and having read a lot of the more recent travel books produced by younger writers, I have not the slightest doubt that the genre has a great deal of life in it yet. For wonderfully varied ingredients can be added to a travel book: politics, archaeology, history, philosophy, art or magic. It’s possible to cross-fertilise the genre with other literary forms - biography, or anthropological writing - or, perhaps more interesting still, to follow in Chatwin’s footsteps and muddy the boundaries of fiction and non-fiction by crossing the travel book with some of the wilder forms of the novel.
— Nine Days with the Most Traveled Secretary of State in History
A single groove in a vinyl record, magnified 1000 times.
Ice Flowers
These peculiar natural phenomena are formed on new layers of sea ice from saturated water vapors that come...
Personal Helicon
As a child, they could not keep me from wells
And old pumps with buckets and windlasses.
I loved the dark drop, the trapped sky,...
this just made me fall in love with beijing all over again.
by OCTAVIO PAZ
news today and...
Wilkes Street. E1. (Taken with instagram)
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1. Thou shalt not praise Shanghai, nor move down to it, for Beijing is a filthy jealous mistress.
2. Thou...